A3C Festival 2012 Lineup includes Paul Wall, Freeway and 9th Wonder

A3C Festival just added over 40 new artists! Hundreds of Performances from Hip Hop’s Top Artists.

Paul Wall

With artists like Paul Wall, Freeway and 9th Wonder on this year’s roster, A3C 2012 may just surpass last year’s lineup of more than 200 amazing artists performances from across the country and abroad.

A3C alumni include Big Daddy Kane, Rakim, Big K.R.I.T., Jean Grae, J. Cole, The Juice Crew, Little Brother, MURS, Yelawolf, Wale, Pill, Freddie Gibbs, M.O.P., GrandWizzard Theodore and many more. This year’s lineup also includes Tech N9ne; Devin the Dude; Big Rec; Big Remo; Muzik Killa; and Kyleon King. Check out the current lineup of all artists at http://www.a3cfestival.com/artists/ 

TRIBES INDIE ARTIST SPOTLIGHT: The Cool Kids

The Cool Kids “Rush Hour Traffic”

The Cool Kids is an American hip hop group consisting of rappers Antoine “Sir Michael Rocks” Reed and Evan “Chuck Inglish” Ingersoll (originally from Mount Clemens, Michigan). The Cool Kids’ music has been released primarily to the independent Chocolate Industries via their own label C.A.K.E.  Reed and Ingersoll have made appearances in numerous forms of media, as well as in collaborations with other artists such as Chip tha Ripper, Asher Roth, Yelawolf, Kenna, Ivan Ives, The Bloody Beetroots, Drake, Travis Barker, Lil Wayne, Ludacris, Mac Miller, Maroon 5, Curren$y, and The O’My’s. For more info, visit The Cool Kids at http://coolxkids.com.

WATCH MORE INDIE ARTIST VIDEO ON TRIBES!

SARABAH: Sister Fa and the Movement to End FGM

“For years, I wondered why my mother had allowed this to happen. It was not until someone explained to me that she didn’t have a choice: she was not cutting me to harm me, but because she felt that she was doing what was the best for me.” Sister Fa

SARABAH Documentary Film Review by Azra Sarabah follows the life of Senegalese rapper Fatou Mandiang Diatta, better known as Sister Fa, and her quest to address female genital mutilation (FGM) in her village in Senegal.After releasing her first album and marrying a German PhD student, she found herself in Germany working on her music and wanting to commit to raising awareness of FGM in Senegal, as she herself had undergone the procedure as a child. Read the film review now in TRIBES Magazine Summer 2012 Spark Africa Issue!

Visit http://www.sarabahdocumentary.com

SNOOP DOGG PHOTOS AT NYC’s CATALPA FESTIVAL: Photos by Becky Yee

Photography by Becky Yee

The Catalpa Festival, held  July 28th/29th weekend in Randalls Island NYC, featured over 40 performers from many musical genres including Blues, Rock, Hip-Hop, Electronic, Reggae and Indie. Photographer, Becky Yee captured the event’s headliner, music legend Snoop DoggVisit BeckyYee.com to check out more of her work.

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Hopscotch Music Festival: Day Party Series Presented by Etix

 

For its third year, scheduled for Sept. 6–8, 2012, Hopscotch Music Festival added three large indoor venues, including the legendary Memorial Auditorium, and expanded its lineup to 170 artists. The festival is 40% larger than it was in 2010, and the level of talent coming to Raleigh is as high as it has ever been.

Today, in keeping with that overall growth, we are very happy to announce the Hopscotch Day Party Series Presented by Etix. As part of some 30 day parties happening throughout the city, Hopscotch has worked with Etix and many other partners to bring you four shows that could be considered a festival on their own. They include a two-day stand of distinctively North Carolina music at Hibernian Pub on Glenwood Avenue, a charity basketball game, concerts curated by Megafaun and The Love Language, and a street party full of some of the region’s favorite band in front of Raleigh Times Bar. In the past, Hopscotch has presented only one official day party, but in response to the energetic reception to the festival and the enthusiasm of you, the fans, we’ve opted to do more. Additionally, various record labels, blogs, restaurants, breweries, comedians, and others have worked to provide Hopscotch attendees with a bigger and more diverse roster of daytime activities. Four weeks from today, Raleigh will feature more live music—and as much fun—as at any time in its history.

Hopscotch Day Party Series

Friday, Sept. 7

CAM Raleigh – 409 W. Martin St., Noon—5 p.m.
PBR, Port Merch, CAM/now, and Raleigh Denim Present: The Love Language & Friends NC BBQ Jam + HOOPscotch
w/ The Love Language, Lonnie Walker, The American West, The Lollipops, and DJ SPCL GST

  • North Carolina BBQ, beer, musicians’ charity basketball game, and more!
  • HOOPscotch proceeds benefit Activate Good. Even if you can’t make it you can donatehere!

Hibernian Pub (inside) – 311 Glenwood Ave., Noon—5 p.m.
PineCone, Lonerider, Aviator, and Big Boss Present: Hopscotch @ Hibernian
w/ Big Fat Gap, Jon Shain, Jason Kutchma, and Randy Whitt

Saturday, Sept. 8

Hibernian Pub (outside) – 311 Glenwood Ave., Noon—5 p.m.
PineCone, Lonerider, Aviator, and Big Boss Present: Hopscotch @ Hibernian
w/ American Aquarium, Mipso Trio, John Howie & The Rosewood Bluff, Justin Robinson & The Mary Annettes, and Th’ Bullfrog Willard McGhee

READ MORE NOW!

TRIBES INDIE ARTIST SPOTLIGHT: KIN4LIFE

KIN4LIFE “It’s Over Now” World Premiere

A new day is upon us and hip hop’s answer to the question “what happened to the female rap game” is here. Blessed with the lyrical prowess to compete with the hottest emcees in the business, singing every R&B hook on their album and being touted as the female version of The Neptunes, the female Hip Hop duo KIN4LIFE is a force. Together as a group for ten years and friends for over fifteen, IQ and Nor have solidified their family ties and KIN4LIFE has never had a truer meaning. Born and raised in Mt. Vernon, NY, a town known for its contribution to hip hop in the late 80s and early 90s, KIN4LIFE is determined to bring hip hop glory back to their hometown and respect back to their genre. Learn more now at reverbnation.com/kin4life.

TRIBES’ NEW FACEBOOK FAN PAGE

DEAR TRIBES FACEBOOK FANS AND FRIENDS:
 
In an effort to connect with even more fans around the globe, TRIBES recently migrated its  personal Facebook  page (which reached the 5,000 friends  max) to a facebook community page.  As a result, many of our “friends” didn’t transferred over to ” fans” as they should have.  As we work through this migration  issue, we hope you will “LIKE” us on our new Facebook page, http://www.facebook.com/tribesmagazine  and continue to be a part of our growing community. Thank you for your continued support!  Also LIKE  http://www.facebook.com/tribesentertainment.
 
TRIBES Street Team

TRIBES INDIE ARTIST SPOTLIGHT: Phil Adé

Phil Adé – Gone! (Official Music Video)

Catch Phil Adé at the A3C Hip Hop Festival in Atlanta, October 11-13, 2012.

Phil Adé a proud representative of the DMV,  spent a better portion of his life in California, Alabama, and Florida. Adé started rapping in his spare time as a source of fun during his junior year of high school, writing cliché raps based on what he heard  from various local artists and the radio. After a couple years of recording and studying the creative style of  other rap artists such as The Notorious B.I.G., Jay-Z and Nas, Adé  finally found his own artistic identity, and with motivation from his friends he began to foresee his hip hop dreams. Currently Phil is under D.C. based artist management company “PaperBoy Management” and recently signed to the independent Hip Hop label 368 Music Group also based in the Nation’s Capitol. As of late amidst his grind, Adé has dropped such popular mixtapes including “A Different World” and “PhilAdeFriday2″. For more information on Phil Adé, visit :PHIL ADE OFFICIAL SITE.

WATCH MORE INDIE ARTIST VIDEO ON TRIBES!

TOP TEN WORLD SUMMER CONCERT PICKS IN 2012

GET TRIBES’ TOP TEN WORLD SUMMER CONCERTS PICKS FOR 2012!

Great Googa Mooga Brooklyn Music Festival 2012. Photo by Becky Yee.

  1. Roots PicnicPhiladelphia, PA – June 2-3
  2. Blue Note Jazz Festival, Brooklyn, NY – June 10-30
  3. Fly Poet Summer Classic, Hollywood, California – July 7
  4. Wireless Festival, London, UK- July 6-8
  5. Underground Music Showcase, Denver, Co – July 19
  6. Ottawa Bluesfest, Ontario, CAN- July 4-15
  7. Slightly Stupid Tour, Raleigh, NC – July 25
  8. V Festival, Chelmsford, London, UK – August 19
  9. Made in American Music Festival, Philadelphia, PA – September 1
  10. A3C Hip Hop Festival Atlanta, GA- October 11-13 – (TRIBES Magazine is an official sponsor!)

GET TRIBES Magazine Summer 2012 SPARK AFRICA issue in print or digital now.

ROOTS IN RAP

Dialo Askia, TRIBES Contributing Writer

ROOTS IN RAP by Dialo Askia 

Hip Hop started out in the park but if you trace the roots of the Hip Hop tree further, you’ll find yourself traveling back through the Caribbean and across the Atlantic to the Motherland, with your ear to the ground, feeling the vibration of the African drum. The early years of Hip Hop held a strong connection to African roots and the music instilled pride in the community while educating listeners.

Greek, Italian, Polish …my senior year in high school, English class included monthly cultural lessons with visiting college professors that would lead us in study and discussion of various cultures. For the sake of authenticity, professors born of the given culture conducted the lessons and so, on the day of the African studies, I enthusiastically walked to the auditorium ready to be instructed by an academic with roots on African continent, a person of color, only to be greeted by a white professor.

Read the full article in TRIBES Summer 2012 SPARK AFRICA issue.

TRIBES Magazine to Sponsor 2012 A3C Hip Hop Festival

TRIBES Magazine is an official media sponsor for the 2012 A3C Hip Hop Festival, the largest Hip Hop festival in the Southeast – to be held in Atlanta, GA, October 11-13, 2012. Now in its 8th year, the A3C Hip Hop Festival is a 2-day, 3-night event held annually in Atlanta, GA. Not only has the event become the largest Hip Hop festival in the southeastern United States, drawing over 15,000 people in 2011, but it is the premier gathering place for MCs, DJs and producers that create Hip Hop music as well as participants and fans of the culture.

A3C is dedicated to providing quality Hip Hop to fans in Atlanta, the Southeast and beyond. What began in 2005 as a small showcase for independent artists around the country has now evolved into a national platform for established and independent Hip Hop artists alike to perform, network, learn and build.

Over half of the festival attendees come from outside of Georgia including abroad and from all sectors of the music industry. A3C is an all ages, family-friendly event and a well-rounded showcase of Hip Hop music and culture. LEARN MORE NOW. TRIBES Magazine will be at the festival blogging here daily in order to report on festival news and artists. Watch for more details to come! Visit http://www.a3cfestival.com

LANGSTON HUGHES: The Black Clown Performance Art Exhibition

Text by Anthony Thompson Adeagbo. Visual Art by Renaldo Davidson.

Langston Hughes lived with strong racial pride and was unashamedly black at a time when blackness was démodé. His work explored the conditions of his people who lived, worked, and survived in spite of great adversity. Langston Hughes’ poetry and fiction focused on the working class and everyday ordinary African-Americans. “My seeking has been to explain and illuminate the Negro condition in America and obliquely that of all human kind.”A “people’s poet,” Hughes confronted racial stereotypes, protested social  conditions, and sought to uplift his people.

In the new work from Anthony Thompson Adeagbo and Renaldo Davidson, entitled Langston Hughes: The Black Clown Performance Art Exhibition, an arrangement of Hughes’ dramatic monologue, The Black Clown, is performed by Adeagbo in collaboration with Renaldo Davidson’s exhibition of visual pieces inspired by Hughes’ monologue, the life of Bert Williams, and Abbey Lincoln’s poem, Where Are The African Gods?. Read the full article in TRIBES Summer 2012 issue.

Visit Facebook.com/hughesenrichment

NNEKA: Soul is Heavy Interview. Watch footage of Nneka now!

Nneka Egbuna

Interview by Leslie Cunningham for TRIBES Magazine

A talented and passionate singer/songwriter and rapper, Nneka has caught the attention of TRIBES Magazine before. Appearing on the TRIBES Magazine’s Top 24 Independent Artist Tracks on Myspace in 2008, Nneka, even some four years ago was making a name for herself and contemporary Nigeria musical culture & politics in Nigeria (and around Europe) with her soulful acoustic-heavy ballads and freestyle raps on capitalism, poverty and war. Nneka remained on TRIBES Top 24 for several months that year followed by a review in our Music Tribe. Now, Nneka is back in an eagerly anticipatedinterview with TRIBES Magazine, to speak to the family about her musical journey from Warri to Hamburg, Africa and Europe to the U.S, and the mission she pursues through her art in this moment of global connectivity on a platform ready for voices of change and yearning for The Motherland.

Described by some as a new-millennium Bob Marley, Nneka Egbuna (meaning ‘mother is supreme’) first introduced the world to her potent brand of conscious Hip Hop in 2005. The daughter of a Nigerian father and German mother, Nneka was born and raised in Warri, a major oil city in the Niger Delta region of Nigeria that has and continues to suffer great political and social upheaval as its citizens and the world vie for access to the regions wealth of natural resources.

At age 19, Nneka swapped work in her stepmother’s restaurant in Warri for study abroad, at the University of Hamburg. In a new city, music became a means not only to finance her studies but also a means of survival as Nneka searched for her voice in a radically different cultural community. With Nigeria ever heavy on her mind, Nneka began to use music as her stage to express her love, pain and hopes for her homeland.

Nneka’s U.S. album debut, Concrete Jungle, revealed a beautiful, outspoken songbird whose message was delivered in mystical lyrics and passionate sounds with as much depth of feeling and intent as that of any other artist to hit the world stage in recent memory. With vocal talent that generates frequent comparisons to legends like Lauryn Hill, Nina Simone and Erykah Badu, Nneka’s unique blend of afrobeat, reggae, pop, and Hip Hop puts her in a class that is currently all her own. Touring stages from Atlanta to Paris, Nneka has opened for Lenny Kravitz, The Roots, Femi Kuti, Gnarls Barkely and Sean Paul among others and on Nneka’s latest album, Soul Is Heavy, released September 2011 and still making a splash around the globe, fans will once again be moved by a “raw and honest window into her beliefs on love, pain, politics and God” (nnekaworld.com).

TRIBES: How were you introduced to Hip Hop?

NNEKA:I was introduced to Hip Hop in Warri by a friend of mine who used to work in an okrika shop. These are old second hand clothes that are sent from Europe to Africa. He used to sell these clothes. Well, anyway, I used to work in a small food shop close by. So, in his lunch break time, he
used to show me some music on his old walkman. It wasHip Hop.

TRIBES: Can you tell us, how did you get started?

NNEKA: I never really thought I would become a musician. I always loved music, but it was sacred, something I hardly shared with anyone. I have never been a person who would show off with my voice. I was shy and did my thing in a shy way. It was in Germany where I finally began to gain more courage to express myself. Being far way from Nigeria caused me to do music more than ever. And, so it evolved. I wrote my thoughts and my pain down and all I saw. I met other people, including DJ FarHotfrom Afghanistan who is still today the main person I work with. We vibed from the beginning. He was searching for his identity within the music and I was eager to express myself. So, we became a team. I found a record company that was interested in me, YoMama Records. I played a couple of shows and invited them to see me and two months later, they offered me a record deal. YoMama was then sold to Sony. That is how I became an artist on a major record company.

READ THE FULL INTERVIEW in TRIBES Magazine’s Summer 2012 Spark Africa Issue!

Visit NNEKAWORLD.com




M.I. Documentary film by TRIBES selected for North Carolina LGBTQ Film Festivals

TRIBES ENTERTAINMENT FILMS presents
M.I., A Different Kind of Girl, a documentary film by Leslie Cunningham
**** Upcoming North Carolina Screenings**** 
Saturday, July 28, 2012 – 1:15pm
FREE screening
Wake Forest Room (Salon D)
Raleigh Marriott Crabtree Valley
4500 Marriott Drive, Raleigh, NC 27612
——————————-
AUGUST 10-12 – 3 SCREENINGS
(8/10@ 7:10pm | 8/11@1:15pm | 8/12@1pm)
$10.00 per ticket. Carolina Theatre, Durham, NC
Please join the filmmakers and cast on Friday, August 10, 2012 at 7:10pm for the premier NCGLFF screening at the Carolina Theater in Durham, NC. Q&A to follow screening.
Post Film Screening Cocktail Party: Friday, August 10, 2012 (9:00pm-11:00pm) – Join the M.I. cast and filmmakers for cocktails at the Marriott Hotel main bar (free) located at 201 Foster Street, Downtown Durham, NC right after the NCGLFF film screening at the Carolina Theatre.
——————————-

Arts in the Museum Park: AfroCubism comes to NCMA

By Leslie Cunningham

While TRIBES has come to regard the North Carolina Museum of Art as one of our favorite destinations for arts in the Triangle, this was our first visit to the museum for a concert in the amphitheatre. The natural slope into the valley that rings around a duck pond, is the perfect hillside upon which to seat rows upon rows of blankets and picnic baskets, broad masonry stadium seats for sitting, dancing, and lawn chairs, and two hundred Triangle residents ready for an evening of Havana in Dakar.

On June 10th, the Arts in the Museum Park summer series at the NCMA welcomed AfroCubism to Raleigh for one in a very limited series of U.S. engagements and this world-renowned descendant of the Buena Vista Social Club got the Triangle dancing. Their mestizo of Latin rhythms and African harmonies and progressions, conga and trumpets, timbale and Kora set something to brew in the summer night that lifted everyone in the audience to celebrate; the perfect weather (that graces us almost continually here in the Piedmont), the perfect venue for a summer evening out with friends, the perfect community to gather here and welcome world music superstars to our corner of the South, and the perfect music by which to celebrate life and the gift of the arts.

Diplomacy and cultural exchange in action, AfroCubism and the dedicated musicians that make up the crew, led us all to reach out across the borders of difference that can isolate racial, ethnic, and cultural groups in our budding New South metropolis, and interact in the universal languages of music and movement. The North Carolina Museum of Art continues to break ground in the Triangle on this mission. Check out the Arts in the Museum Park: 2012 Summer Concert and Movie Series for upcoming events including Andrew Bird with Special Guest Mavis Staples (July 10), Shen Wei Dance Arts (July 18-19), and Mary Chapin Carpenter (August 25) among other great concerts and movie/music combos. Visit NCARTSMUSEUM.ORG .

TAR HEEL TRACKS: UNC Beat Making Lab Students Sample NC Artists to Raise Money for Congolese Youth

UNC Professor Pierce Freelon and beat battle champion Stephen Levitin co-teach the Beat Making Lab – an innovative course offered in the Music Department at the University of North Carolina at Chapel Hill. Co-founded by Levitin and Dr. Mark Katz, the Beat Making Lab teaches sample-based music production, history and entrepreneurship to musicians and non-musicians.

On May 13th, Shuffle  Magazine and ARTVSM released the Beat Making Lab’s FREE debut album, Tar Heel Tracks. The 13-song collection, organized by Pierce Freelon and Stephen Levitin, features original Hip Hop, Dance and Electronica, produced by UNC undergraduate students. All production on Tar Heel Tracks samples from other artists based in North Carolina including the Avett Brothers, Lee Fields, The Foreign 

Exchange, The Old Ceremony, and Nnenna Freelon. In addition to co-teaching the Beat Making Lab, Pierce Freelon and Levitin are founders of ARTVSM (pronounced Artivism) – a company that merges art and activism by any medium necessary. ARTVSM will bring the Beat Making Lab curriculum to 16 Congolese youth in Goma this summer through Yole! Africa.  Read more in TRIBES magazine Summer 2012 issue! 

Download TAR HEEL TRACKS FREE at beatmakinglab.com

Gotye’s Indie Domination

TRIBES Magazine's avatarTRIBES

By N.M. Solomon for CMIS

Australian indie singer, songwriter, & producer, Gotye, is dominating nearly every corner of the music charts with his single “Somebody That I Used To Know”. In the U.S. alone, the song has remained on Billboard’s Hot 100 for the now fourth consecutive week in a row and digital sales have reached more than 400,000 units in the past three weeks alone.Upon completion of his second solo album, Like Drawing Blood, Gotye set up a recording studio in a barn on a 13-acre plot of farm. Read more now in TRIBES Magazine Summer 2012 Issue.


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Brandon Haynes Concert Photography in TRIBES Magazine

“Big Daddy Kane” Photo by Brandon Haynes

Get more concert photographs by Brandon Haynes in TRIBES Magazine Summer 2012 SPARK AFRICA  issue or visit Bhaynesphoto.com.

TOP TEN WORLD SUMMER CONCERT PICKS IN 2012

GET TRIBES’ TOP TEN WORLD SUMMER CONCERTS PICKS FOR 2012!

Great Googa Mooga Brooklyn Music Festival 2012. Photo by Becky Yee.

  1. Roots PicnicPhiladelphia, PA – June 2-3
  2. Blue Note Jazz Festival, Brooklyn, NY – June 10-30
  3. Fly Poet Summer Classic, Hollywood, California – July 7
  4. Wireless Festival, London, UK- July 6-8
  5. Underground Music Showcase, Denver, Co – July 19
  6. Ottawa Bluesfest, Ontario, CAN- July 4-15
  7. Slightly Stupid Tour, Raleigh, NC – July 25
  8. V Festival, Chelmsford, London, UK – August 19
  9. Made in American Music Festival, Philadelphia, PA – September 1
  10. A3C Hip Hop Festival Atlanta, GA- October 4

GET TRIBES Magazine Summer 2012 SPARK AFRICA issue in print or digital now.

LANGSTON HUGHES: The Black Clown Performance Art Exhibition

Text by Anthony Thompson Adeagbo. Visual Art by Renaldo Davidson.

Langston Hughes lived with strong racial pride and was unashamedly black at a time when blackness was démodé. His work explored the conditions of his people who lived, worked, and survived in spite of great adversity. Langston Hughes’ poetry and fiction focused on the working class and everyday ordinary African-Americans. “My seeking has been to explain and illuminate the Negro condition in America and obliquely that of all human kind.”A “people’s poet,” Hughes confronted racial stereotypes, protested social  conditions, and sought to uplift his people.

In the new work from Anthony Thompson Adeagbo and Renaldo Davidson, entitled Langston Hughes: The Black Clown Performance Art Exhibition, an arrangement of Hughes’ dramatic monologue, The Black Clown, is performed by Adeagbo in collaboration with Renaldo Davidson’s exhibition of visual pieces inspired by Hughes’ monologue, the life of Bert Williams, and Abbey Lincoln’s poem, Where Are The African Gods?. Read the full article in TRIBES Summer 2012 issue.

Visit Facebook.com/hughesenrichment

VOTE TRIBES magazine for “Poetry Magazine of the Year”

TRIBES magazine has been nominated for “Poetry Magazine of the Year” by the National Poetry Awards (NPA) a national poetry arts group which began in Raleigh, NC in 2010. That same year, TRIBES won an award for our continued commitment to showcasing urban poets and spoken word artists nationally. Help TRIBES magazine win the award in 2012!

CAST YOUR VOTE NOW 

This year, NPA is preparing to travel to St. Louis, Missouri for the third annual event held August 17-18, 2012. NPA is planning a great weekend of poetry, slam competitions and networking! Visit their website at thenationalpoetryawards.com for more information.


SBF Seeking….New Book Review

Review By Sarah Weathersby 

I met LaToya Hankins through a Meetup.com writers group. I had the opportunity to do a critique of a chapter of her work-in-progress that became the novel, SBF Seeking. The next time I saw her at a meetup, she had just published her completed work and was excited to tell the group about her experience. I try to support the talented authors I know, and even though I gave positive and supportive feedback for the chapter I read, I was torn in my reaction, knowing that SBF Seeking was a lesbian romance. Should I buy the book?…Of course. Will I read the book?…Maybe. Then she asked me to write a review and so I had to tell her: I don’t often read “gay” literature though I had recently read Justin Torres’ We the Animals and a couple of James Baldwin books forty years ago. Read the full review in TRIBES magazine Summer 2012 issue.

Visit googereads.com for more reviews (Search SBF Seeking). SBF Seeking is available on Amazon.com.

REMEMBERING MAMA AFRICA: Miriam Makeba

Miriam Makeba

Article By Nichole Martin

Miriam Makeba, South African artist and diva, earned the title of Mama Africa after winning the world over with her harmonic crisp, South Africa-tinged vocals that sung of a country she loved and the injustices suffered there. The voice that gave courage and comfort to South Africans, who rallied against apartheid, became the one of the first African singers to be recognized as a worldwide sensation.

Born Zenzil Miriam Makeba in 1932, in Johannesburg, Makeba began her professional singing career as a featured artist with the South African jazz group the Manhattan Brothers in the 1950’s.  Shortly thereafter, she formed an all-female group, The Skylarks, and, in 1956, released  ‘Pata Pata’ which became one her most famous songs. Nevertheless, in spite of her early success, Makeba struggled financially receiving little in payment for her recordings and no provisional royalties. Read the full article in TRIBES Magazine Summer 2012 Spark Africa issue

NNEKA: Soul is Heavy Interview. Watch footage of Nneka now!

Nneka Egbuna

Interview by Leslie Cunningham for TRIBES Magazine

A talented and passionate singer/songwriter and rapper, Nneka has caught the attention of TRIBES Magazine before. Appearing on the TRIBES Magazine’s Top 24 Independent Artist Tracks on Myspace in 2008, Nneka, even some four years ago was making a name for herself and contemporary Nigeria musical culture & politics in Nigeria (and around Europe) with her soulful acoustic-heavy ballads and freestyle raps on capitalism, poverty and war. Nneka remained on TRIBES Top 24 for several months that year followed by a review in our Music Tribe. Now, Nneka is back in an eagerly anticipated interview with TRIBES Magazine, to speak to the family about her musical journey from Warri to Hamburg, Africa and Europe to the U.S, and the mission she pursues through her art in this moment of global connectivity on a platform ready for voices of change and yearning for The Motherland.

Described by some as a new-millennium Bob Marley, Nneka Egbuna (meaning ‘mother is supreme’) first introduced the world to her potent brand of conscious Hip Hop in 2005. The daughter of a Nigerian father and German mother, Nneka was born and raised in Warri, a major oil city in the Niger Delta region of Nigeria that has and continues to suffer great political and social upheaval as its citizens and the world vie for access to the regions wealth of natural resources.

At age 19, Nneka swapped work in her stepmother’s restaurant in Warri for study abroad, at the University of Hamburg. In a new city, music became a means not only to finance her studies but also a means of survival as Nneka searched for her voice in a radically different cultural community. With Nigeria ever heavy on her mind, Nneka began to use music as her stage to express her love, pain and hopes for her homeland.

Nneka’s U.S. album debut, Concrete Jungle, revealed a beautiful, outspoken songbird whose message was delivered in mystical lyrics and passionate sounds with as much depth of feeling and intent as that of any other artist to hit the world stage in recent memory. With vocal talent that generates frequent comparisons to legends like Lauryn Hill, Nina Simone and Erykah Badu, Nneka’s unique blend of afrobeat, reggae, pop, and Hip Hop puts her in a class that is currently all her own. Touring stages from Atlanta to Paris, Nneka has opened for Lenny Kravitz, The Roots, Femi Kuti, Gnarls Barkely and Sean Paul among others and on Nneka’s latest album, Soul Is Heavy, released September 2011 and still making a splash around the globe, fans will once again be moved by a “raw and honest window into her beliefs on love, pain, politics and God” (nnekaworld.com).

TRIBES: How were you introduced to Hip Hop?

NNEKA: I was introduced to Hip Hop in Warri by a friend of mine who used to work in an okrika shop. These are old second hand clothes that are sent from Europe to Africa. He used to sell these clothes. Well, anyway, I used to work in a small food shop close by. So, in his lunch break time, he
used to show me some music on his old walkman. It was Hip Hop.

TRIBES: Can you tell us, how did you get started?

NNEKA: I never really thought I would become a musician. I always loved music, but it was sacred, something I hardly shared with anyone. I have never been a person who would show off with my voice. I was shy and did my thing in a shy way. It was in Germany where I finally began to gain more courage to express myself. Being far way from Nigeria caused me to do music more than ever. And, so it evolved. I wrote my thoughts and my pain down and all I saw. I met other people, including DJ FarHot from Afghanistan who is still today the main person I work with. We vibed from the beginning. He was searching for his identity within the music and I was eager to express myself. So, we became a team. I found a record company that was interested in me, YoMama Records. I played a couple of shows and invited them to see me and two months later, they offered me a record deal. YoMama was then sold to Sony. That is how I became an artist on a major record company.

READ THE FULL INTERVIEW in TRIBES Magazine’s Summer 2012 Spark Africa Issue!

Visit NNEKAWORLD.com




Gotye’s Indie Domination

By N.M. Solomon for CMIS

Gotye

Australian indie singer, songwriter, & producer, Gotye, is dominating nearly every corner of the music charts with his single “Somebody That I Used To Know”. In the U.S. alone, the song has remained on Billboard’s Hot 100 for the now fourth consecutive week in a row and digital sales have reached more than 400,000 units in the past three weeks alone.Upon completion of his second solo album, Like Drawing Blood, Gotye set up a recording studio in a barn on a 13-acre plot of farm. Read more now in TRIBES Magazine Summer 2012 Issue.


TOP TEN WORLD SUMMER CONCERT PICKS IN 2012

GET TRIBES’ TOP TEN WORLD SUMMER MUSIC CONCERTS PICKS FOR 2012!

Great Googa Mooga Brooklyn Music Festival 2012. Photo by Becky Yee.

  1. Roots PicnicPhiladelphia, PA – June 2-3
  2. Blue Note Jazz Festival, Brooklyn, NY – June 10-30
  3. Fly Poet Summer Classic, Hollywood, California – July 7
  4. Wireless Festival, London, UK- July 6-8
  5. Underground Music Showcase, Denver, Co – July 19
  6. Ottawa Bluesfest, Ontario, CAN- July 4-15
  7. Slightly Stupid Tour, Raleigh, NC – July 25
  8. V Festival, Chelmsford, London, UK – August 19
  9. Made in American Music Festival, Philadelphia, PA – September 1
  10. A3C Hip Hop Festival Atlanta, GA- October 4

GET TRIBES Magazine Summer 2012 SPARK AFRICA issue in print or digital.

ROOTS IN RAP

Dialo Askia, TRIBES Contributing Writer

ROOTS IN RAP by Dialo Askia 

Hip Hop started out in the park but if you trace the roots of the Hip Hop tree further, you’ll find yourself traveling back through the Caribbean and across the Atlantic to the Motherland, with your ear to the ground, feeling the vibration of the African drum. The early years of Hip Hop held a strong connection to African roots and the music instilled pride in the community while educating listeners.

Greek, Italian, Polish …my senior year in high school, English class included monthly cultural lessons with visiting college professors that would lead us in study and discussion of various cultures. For the sake of authenticity, professors born of the given culture conducted the lessons and so, on the day of the African studies, I enthusiastically walked to the auditorium ready to be instructed by an academic with roots on African continent, a person of color, only to be greeted by a white professor.

Read the full article in TRIBES Summer 2012 SPARK AFRICA issue.

TRIBES INTERVIEW WITH BUDDHA BLAZE OF SPARK AFRICA

SPARK AFRICA: BUDDHA BLAZE AND THE EAST AFRICAN HIP HOP MOVEMENT

Exclusive Interview with TRIBES editor and senior writer, Alana Jones.

Buddha Blaze of Spark Africa

Buddha Blaze has been building a home for Hip Hop in Kenya and bridging markets across the Motherland for some time. Touting a career resume in the arena of music entertainment, jam packed with groundbreaking moments in African Hip Hop, Buddha Blaze has helped to generate the growing wave of rhymes from the original underground. Thus, we introduce you, TRIBES readers and family, to Buddha Blaze, our TRIBES in Nairobi correspondent and connection to one of the world’s next and most exciting popular music and culture movements.

Buddha Blaze’s media coverage of his Hip Hop community coupled with his entertainment production projects, and contributions to the movement of Hip Hop music and culture, more generally, have taken all variety of forms. Creative partner of Spark Africa, a multi-media authority on African urban culture and entertainment, Buddha Blaze is also founder of Slam Africa, Kenya’s premier poetry event and creator of Kenya’s first hip-hop website, kenyanhiphop.com. Former editor and writer for East Africa’s first entertainment periodical, PHAT! Magazine  and coordinator of the Spark Africa-managed WAPI (Words and Pictures), a global artists’ movement, Buddha Blaze is a Hip Hop activist with a passion for global art, culture and music.

Dead Prez in Kenya

Committed to providing a platform on this world stage for budding African artists, Buddha Blaze has successfully elevated Hip Hop music to new levels in Kenya and helped shine a spotlight on African artists before world audiences. In 2002, Buddha Blaze spearheaded a mass media campaign to have local radio stations play music by Kenyan artists. The result was an explosion of national and regional recognition for local artists and an opportunity for young Kenyan’s and Hip Hop heads in the region to hear themselves and their brand of Hip Hop music on the radio. Buddha Blaze also led the first group of Kenyan artists to the KORA All African Music Awards in Johannesburg, South Africa in 2003. “Hip-hop has always had a positive influence on the youth from the urban centers of the world,” says Buddha Blaze as he mentions some of the artists to play WAPI stage, including Dead Prez, Blak Twang, and Kamau. Blaze has also taken WAPI events on the road, sponsoring concert festivals in Nigeria, Ghana, Uganda and Malawi.

READ THE FULL INTERVIEW!

TRIBES: How did you fall in love with Hip Hop music and culture? Who were some of your Hip Hop favorites, then? And now?

BUDDHA: I grew up on Hip Hop, just like the average kid having heard the early Hip Hop tapes- Biz Markie, Kool Moe Dee and the rest. It was natural that as an urban African kid, I just fell in love.  Biggie, Nas, Rakim are my Hip Hop icons that I look up to. Talib Kweli is the truth! I can’t wait to bring him to Kenya.

TRIBES: When did you first encounter Kenyan Hip Hop? Can you tell us a little something about the Hip Hop scene in Kenya?

BUDDHA: In 2000, there was  a group in Kenya called K-South this is one of the early groups that influenced Hip Hop in the country. I was just minding my business when I bumped into one of the members, Bamboo. I told him I was a rapper and he showed me his world. Which was a whole lot of Hip Hop. At the time, it was them and Kalamashaka that were starting hip hop movements in Kenya.

TRIBES: Is there a characteristic sound or quintessential Kenyan Hip Hop style?

BUDDHA: The Kenyan sound is very edgy, gritty beats and lyrical. You have to have punch-lines or else the song gets no love.

TRIBES: What is your dream for the Hip Hop community in Kenya? And the world?

BUDDHA: For Kenya I would love to see more Kenyan Hip Hop integrated into the world. For the world, I would love to see more Hip Hop artists collaborating with each other on an international stage.

TRIBES: Will you tell us a little about Spark Africa– its origins, mission, and current projects?

BUDDHA: Spark Africa was an idea that came about by highly creative individuals. My partner, Shingirayi Sabeta from Zimbabwe, Khanyi Zwane from South Africa and I are from Kenya. We were tired of the way Africa was being depicted as a dark continent and wanted to be the creators of that spark- that illuminating light that shines across the world. We are multi national Africans and want to enforce the unity amongst Africans. Spark Africa is an urban multi media, events and creative company that is meant to champion the “new Africa”. Our strengths are in publishing, music, events and below the line branding.

TRIBES: How did you become involved with PHAT magazine and initially enter the world of Hip Hop and the entertainment industry?

BUDDHA: At PHAT I was a reporter who ended up being an editor just because I had so much love for the industry. The sky was the limit for me.

TRIBES: What are your ultimate aspirations as a journalist and Hip Hop supporter?

BUDDHA: My inspiration is to see the entertainment industry in Africa be one to be proud of. We want to have artists that we can take around the world and not care about cultural differences but ones that make music for the world.

TRIBES: What sparked your move from print to radio and television? To blogging and social media?

BUDDHA: It’s just growth really. You have to roll with the moment. Everything that we do just feeds into what we become. At Spark Africa we do not live a career, we live a lifestyle.

TRIBES: Has the work of building strong virtual Hip Hop communities on the web been difficult?

BUDDHA: It’s actually been a blessing, in Kenya there’s a lot of interest in Hip Hop, both online and on the ground. It’s been really easy. We have had international artists such as Dead Prez, Ian Kamau, Knaan, Blak Twang, Nneka join us, so for me it’s all love.

TRIBES: In your opinion, who are the Kenyan artists to watch in the coming months? Who should TRIBES readers make sure to add to their summer playlists?

BUDDHA: I recommend you watch out for that kid Bamboo. Then there is Octopizzo, Doobiz and on the BET Awards watch out for my little nephews, Camp Mulla. they’ve been nominated as Best International.

TRIBES: For the Summer 2012 edition of TRIBES Magazine, we’ve put together a calendar of great world summer music tours for our readers. Will you be attending any summer concerts or music tours/festivals that you would like to encourage the TRIBES family to check out?

BUDDHA: Yeah, I’m working on the Wale tour in South Africa and Kenya. Dates not announced yet. On August 4th Watch out for that kid Tumi from the Volume at the Blankets and Wine Festival in Nairobi.

VISIT: Buddha Blaze’s blog at buddhablazeworld.blogspot.com.

VISIT: SPARK AFRICA facebook.com/sparkafrica facebook.com/wapiweb

SARABAH: Sister Fa and the Movement to End FGM

“For years, I wondered why my mother had allowed this to happen. It was not until someone explained to me that she didn’t have a choice: she was not cutting me to harm me, but because she felt that she was doing what was the best for me.” Sister Fa

SARABAH Documentary Film Review by Azra Sarabah follows the life of Senegalese rapper Fatou Mandiang Diatta, better known as Sister Fa, and her quest to address female genital mutilation (FGM) in her village in Senegal.After releasing her first album and marrying a German PhD student, she found herself in Germany working on her music and wanting to commit to raising awareness of FGM in Senegal, as she herself had undergone the procedure as a child. Read the film review now in TRIBES Magazine Summer 2012 Spark Africa Issue!

Visit http://www.sarabahdocumentary.com

CONCERTS FOR THE PEOPLE: A Photo Display

Great Googa Mooga Photo by Becky Yee, May 2012. All rights reserved.  

A Photo Display featuring WAPI Kenya and Great Googa Mooga 

Great Googa Mooga is held annually in Broolyn’s historic Prospect Park and is a celebration of life’s greatest pleasures: gathering with friends and neighbors to eat, drink, talk, laugh, dance, linger and just be together. Native New Yorker Becky Yee captured the May 2012 event featuring The Roots. View the full photography display in TRIBES Magazine Summer 2012 SPARK AFRICA  issue.



Brandon Haynes Concert Photography

Talib Kweli

Brandon Haynes Concert Photography!

Brandon Haynes is a Brooklyn based photographer and DJ. In 2007, he began to pursue a career in photography. Get more photographs and read the review in TRIBES Magazine Summer 2012 issue.  Visit Brandon Haynes Website.

 

NNEKA: Soul is Heavy Interview. Watch footage of Nneka now!

Nneka Egbuna

Interview by Leslie Cunningham for TRIBES Magazine

A talented and passionate singer/songwriter and rapper, Nneka has caught the attention of TRIBES Magazine before. Appearing on the TRIBES Magazine’s Top 24 Independent Artist Tracks on Myspace in 2008, Nneka, even some four years ago was making a name for herself and contemporary Nigeria musical culture & politics in Nigeria (and around Europe) with her soulful acoustic-heavy ballads and freestyle raps on capitalism, poverty and war. Nneka remained on TRIBES Top 24 for several months that year followed by a review in our Music Tribe. Now, Nneka is back in an eagerly anticipated interview with TRIBES Magazine, to speak to the family about her musical journey from Warri to Hamburg, Africa and Europe to the U.S, and the mission she pursues through her art in this moment of global connectivity on a platform ready for voices of change and yearning for The Motherland.

Described by some as a new-millennium Bob Marley, Nneka Egbuna (meaning ‘mother is supreme’) first introduced the world to her potent brand of conscious Hip Hop in 2005. The daughter of a Nigerian father and German mother, Nneka was born and raised in Warri, a major oil city in the Niger Delta region of Nigeria that has and continues to suffer great political and social upheaval as its citizens and the world vie for access to the regions wealth of natural resources.

At age 19, Nneka swapped work in her stepmother’s restaurant in Warri for study abroad, at the University of Hamburg. In a new city, music became a means not only to finance her studies but also a means of survival as Nneka searched for her voice in a radically different cultural community. With Nigeria ever heavy on her mind, Nneka began to use music as her stage to express her love, pain and hopes for her homeland.

Nneka’s U.S. album debut, Concrete Jungle, revealed a beautiful, outspoken songbird whose message was delivered in mystical lyrics and passionate sounds with as much depth of feeling and intent as that of any other artist to hit the world stage in recent memory. With vocal talent that generates frequent comparisons to legends like Lauryn Hill, Nina Simone and Erykah Badu, Nneka’s unique blend of afrobeat, reggae, pop, and Hip Hop puts her in a class that is currently all her own. Touring stages from Atlanta to Paris, Nneka has opened for Lenny Kravitz, The Roots, Femi Kuti, Gnarls Barkely and Sean Paul among others and on Nneka’s latest album, Soul Is Heavy, released September 2011 and still making a splash around the globe, fans will once again be moved by a “raw and honest window into her beliefs on love, pain, politics and God” (nnekaworld.com).

TRIBES: How were you introduced to Hip Hop?

NNEKA: I was introduced to Hip Hop in Warri by a friend of mine who used to work in an okrika shop. These are old second hand clothes that are sent from Europe to Africa. He used to sell these clothes. Well, anyway, I used to work in a small food shop close by. So, in his lunch break time, he
used to show me some music on his old walkman. It was Hip Hop.

TRIBES: Can you tell us, how did you get started?

NNEKA: I never really thought I would become a musician. I always loved music, but it was sacred, something I hardly shared with anyone. I have never been a person who would show off with my voice. I was shy and did my thing in a shy way. It was in Germany where I finally began to gain more courage to express myself. Being far way from Nigeria caused me to do music more than ever. And, so it evolved. I wrote my thoughts and my pain down and all I saw. I met other people, including DJ FarHot from Afghanistan who is still today the main person I work with. We vibed from the beginning. He was searching for his identity within the music and I was eager to express myself. So, we became a team. I found a record company that was interested in me, YoMama Records. I played a couple of shows and invited them to see me and two months later, they offered me a record deal. YoMama was then sold to Sony. That is how I became an artist on a major record company.

READ THE FULL INTERVIEW in TRIBES Magazine’s Summer 2012 Spark Africa Issue!

Visit NNEKAWORLD.com




TRIBES Summer 2012 issue: SPARK AFRICA


TRIBES Magazine Summer 2012 – The SPARK AFRICA Issue

Get a copy in print or download a digital version to your computer or mobile device.

In the spirit of ushering in a new summer and preparing to bring this latest TRIBES Magazine Summer 2012: Spark Africa issue to press, the crew at TRIBES Central took a field trip to the Carolina Theatre for a highly anticipated, limited screening of Marley, the new documentary film from Kevin MacDonald chronicling the complete life and works of the international superstar. Immersing his art in the political and socioeconomic realities of life in post-colonial Jamaica and committed to reclaiming a cultural homeland and spiritual roots for all members of the Africa diaspora, Bob Marley was beloved by his fans and peers for his commitment to the work of truth and reconciliation in his music and the love for humanity that permeated his life and work.

In this issue of TRIBES Magazine, join us as we head to Nigeria, Kenya, Sierra Leon, Guinea Bissau, Senegal, and S. Africa by way of Germany and the United States, to meet musician and activist Nneka– raising awareness around big oil business, natural resource exploitation, and state corruption in her hometown of Warri- Hip Hop Activist, promoter, and journalist, Buddha Blaze– co-founder of Spark Africa and various efforts to generate and unify Hip Hop communities across the African continent- Sister Fa– Female MC and subject of the new documentary film, Sarabah, on her mission to combat female genital mutilation (FGM) practices in her Senegalese homeland- and MAMA AFRICA, Miriam Makeba, and her peace and humanitarian work during and after the fall of apartheid in her native South Africa.

These individuals, and the other artists and activists to grace the pages of this Spark Africa edition, teach us that through intensely personal, substantively relevant expressions of art and culture, we become infinitely connected and limitless beings with voices amplified for the work of improving our world. Celebrate inspired community and the arts with our favorite summer concerts and festivals, write your Spark Africa summer playlist after a visit to our Music TRIBES and find inspiration for new forms of expression in Pierce Freelon’s latest project, Tar Heel Tracks, and Renaldo Davidson’s collaborative, mixed-media work, Black Clown.

In this summer of 2012, love, and as a means for revolution, reigns supreme and thus, we welcome you to the TRIBES Magazine 2012: SPARK AFRICA Issue. May your heart’s light illuminate the darkness!  Alana Jones, TRIBES Executive Editor

TRIBES Magazine Takes Brand Story Global

Popular Independent Publication Celebrates Eight Years in Existence With Move to MagCloud; Continues Mission to Give Voice to Urban Expression
FOR IMMEDIATE RELEASE
PRLog (Press Release) – May 23, 2012
This summer, TRIBES Magazine, the popular, award-winning, independent entertainment periodical will celebrate eight years in publication with a move to MagCloud – a content web service that will enableTRIBES Magazine to share its brand story worldwide in print and digital formats.
For nearly a decade, TRIBES Magazine has been on a mission to support and showcase urban expression. Born out of necessity one dreary evening in Durham, North Carolina some eight years ago,TRIBES Magazine came to life as citizen artists of the Triangle were calling out for a voice. Already the voice-giver, delivering rags and bullhorns to poets and social activists in the the nation’s capital, TRIBES creator, Leslie Cunningham, once again answered the call. By day from her desk on the tech floor of the marketing world, Cunningham watched a network of artists and musicians, painters, poets and MCs collect around her. Her creative force drew their work and it flew into her lap- poems and rhymes, photographs and songs, cartoons and sketches and collages and dancing and essays and more- until Cunningham was overtaken by the collective power of the independent arts. Pen in hand, bobbing eagerly in a sea of blank storyboards, Cunningham sketched an outline for the first issue and, in June 2004, TRIBES Magazine was born. Read More Now!

VOTE: As we head towards the 2012 election cycle, what is your greatest concern?


VOTE: As we head towards the 2012 election cycle, what is your greatest concern?


TRIBES Magazine nominated for 2012 “Poetry Magazine of the Year”

TRIBES Magazine just nominated for 2012 “Poetry Magazine of the Year”. 

Voting Starts Soon – Visit http://www.thenationalpoetryawards.com

The National Poetry Awards (NPA) is a national poetry arts group which began in Raleigh, NC in 2010. That year, TRIBES Magazine was nominated and won “Poetry Magazine of the Year”.  After two successful years, NPA is preparing to travel to St. Louis, Missouri for the third annual event held August 17-18, 2012. NPA is planning a great weekend of poetry, slam competitions and networking! Vote for TRIBES Magazine after June 1. Visit http://www.thenationalpoetryawards.com for more information.

YTASHA WOMACK: INTERVIEW ON POST BLACK

YTASHA WOMACK: INTERVIEW ON POST BLACK

by DIALO ASKIA

An accurate account of a people’s history and tradition is necessary for the advancement of the people. Griots, for centuries, provided information on the land, the law, and the family. Hieroglyphics painted pictures to tell stories long before MCs wrote lyrics that projected music videos into our minds and onto the screen. Across time, such writers, illustrators, and orators are necessary to provide a voice for the generations. Author Ytasha Womack is one of today’s prominent voices, discussing African American identity in her recent book, Post Black, and giving us a glimpse into the future in her e-book, Rayla 2212.

TRIBES: What inspired you to become a writer?

YTASHA: I started off in journalism, which I didn’t really view as being a writer, in the traditional sense. Once [However], once you start telling stories, you look to tell stories in all kinds of formats whether that’s newspapers, books, film, television, etc. I just became really interested in finding the best medium to share ideas and once you get into that, I guess you become a writer.

TRIBES: What is Post Black?

YTASHA: Post Black for me takes a look at the African-American identity in the 21st century, looking at the diversity of that identity, focusing on Gen X and Gen Y for now, and then also looking at the concept of African-American identity in a post-civil rights, Obama era and the impact that it ultimately has on the personal and collective shift in identity.  It’s an exploration.

Some people might view it as a lifestyle or some may see it as a statement about the end of race as we know it. I don’t think we’re quite in that zone yet.  Post Black is not post-racial but it is a bridge to that period, I think. This exploration of identity facilitates that.

READ THE FULL INTERVIEW NOW.

Visit: postblackexperience.com

BEVERLY MCIVER IN THE ART TRIBE

ART SPOTLIGHT: BEVERLY MCIVER 

Words by Alana Jones

Beverly McIver’s portraits are haunting. The faces that stare from the canvas and paper are quiet and weighty, layered with emotions and an ongoing internal dialogue that speaks from each stroke of paint or pencil. Filled with the sort of insight into the conflicted heart and chattering mind of the human subject that makes art essential to our existence, McIver’s portraits speak volumes in the most subtle and quiet tones. 

READ THE FULL ARTICLE NOW.

Also visit BEVERLYMCIVER.COM

VOTE: As we head towards the 2012 election cycle, what is your greatest concern?